Art and the Sacred

Keywords: sacred art, artistic canon, iconography, visual theology, axiology of creation

Abstract

The text offered to the reader served as the source material for the last (XXVI) chapter of the forthcoming book “Theory of Art. Introduction”. This is the text of lectures given by the author about 15 years ago at the History Department of the Lomonosov Moscow State University for art students. The range of topics discussed in the text reproduces the conceptual situation within the context of art functioning, which should be called ‘Artistic and Sacred’. This field reflects exactly art historical (not religious, aesthetic, anthropological or historical) view, which always sees art as a creative practice, i.e. shaping and meaning-generating human activity. The stylistics and rhetoric of the proposed text are characterised by a combination of scholarly discursiveness and lightened conceptual essayism. A sign of a semi-popular, semi-didactic narrative is the absence of a scientific apparatus (with a sufficiently detailed bibliography). The author very much hopes that this – partly incomplete, partly intricate – flow of thoughts and feelings will be suitable for both scientific tasks and circumstances of life.

[1] Bibliography will be published in the second part of the essay

Author Biography

S. S. Vaneian, Lomonosov Moscow State University

DOI: https://doi.org/10.34680/vistheo-2025-7-1-151-172

Stepan S. Vaneian
Lomonosov Moscow State University, Moscow, Russia
vaneyans@gmail.com
ORCID
: https://orcid.org/0000-0001-5890-1360

Abstract
The text offered to the reader served as the source material for
the last (XXVI) chapter of the forthcoming book “Theory of Art. Introduction”. This is the text of lectures given by the author about 15 years ago at the History Department of the Lomonosov Moscow State University for art students. The range of topics discussed in the text reproduces the conceptual situation within the context
of art functioning, which should be called ‘Artistic and Sacred’.
This field reflects exactly art historical (not religious, aesthetic, anthropological or historical) view, which always sees art
as a creative practice, i.e. shaping and meaning-generating human activity. The stylistics and rhetoric of the proposed text are characterised by a combination of scholarly discursiveness
and lightened conceptual essayism. A sign of a semi-popular,
semi-didactic narrative is the absence of a scientific apparatus
(with a sufficiently detailed bibliography). The author very much hopes that this – partly incomplete, partly intricate – flow of thoughts and feelings will be suitable for both scientific tasks and circumstances of life.

Keywords: sacred art, artistic canon, iconography, visual theology, axiology of creation

About author

Stepan S. Vaneian
Dr. Sci. (Art History),
Professor of Art History and Theory Department
Lomonosov Moscow State University
4 Bldg., 27, Lomonosovsky Ave., Moscow, 119992, Russian Federation
E-mail: vaneyans@gmail.com

For citation:
Vaneian S. S. Art and the Sacred. Journal of Visual Theology. 2025. Vol. 7. 1. Pp. 151–172.
https://doi.org/10.34680/vistheo-2025-7-1-151-172

Published
2025-06-26
How to Cite
Vaneian, S. S. (2025). Art and the Sacred. Visual Theology, 7(1), 151-172. Retrieved from http://85.142.116.254/index.php/journal/article/view/156
Section
Essays
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